Sparking democracy through documentary since 1966, Kartemquin is a collaborative community that empowers documentary makers who create stories that foster a more engaged and just society.
Our films have received four Academy Award® nominations and won several major prizes, including five Emmys® and two Peabody Awards. Recognized as a leading advocate for independent public media, Kartemquin has helped hundreds of artists via its filmmaker development programs.
Recent productions include 2019 Oscar® nominee Minding the Gap, and 2018 Oscar® nominees Abacus: Small Enough to Jail and Edith + Eddie, and 2018's best reviewed TV series, America to Me. Other recent productions include the Emmy-winning Life Itself, The Homestretch, The Interrupters, and The Trials of Muhammad Ali, the Dupont award-winning series Hard Earned; and Raising Bertie, All the Queen’s Horses, Keep Talking, and ‘63 Boycott.
Kartemquin is a 501(c)3 not-for-profit organization based in Chicago. www.kartemquin.com
In rural Wisconsin, a lone employee waits in a cavernous old museum for visitors to come. A few individuals straggle in every few days and then, come Friday, the museum fills with life. Machines hum, presses print, artists buzz about. One weekend each month, the quiet of Two Rivers is interrupted as carloads of artisans drive in from across the Midwest. The place comes alive as printmaking workshops led by, and filled with, some of the nation's top design talent descend on the sleepy enclave.
In a time when people can carry computers in their pockets and watch TV while walking down the street, Typeface dares to explore the twilight of an analog craft that is freshly inspiring artists in a digital age. The Hamilton Wood Type Museum in Two Rivers, WI personifies cultural preservation, rural re-birth and the lineage of American graphic design. At Hamilton, international artisans meet retired craftsmen and together navigate the convergence of modern design and traditional technique. But the Museum's days may be numbered. What is the responsibility of artists and historians to preserve a dying craft? How can rural towns survive in a shifting industrial marketplace where big-box retailers are king?
In rural Wisconsin, a lone employee waits in a cavernous old museum for visitors to come. A few individuals straggle in every few days and then, come Friday, the museum fills with life. Machines hum, presses print, artists buzz about. One weekend each month, the quiet of Two Rivers is interrupted...