Sparking democracy through documentary since 1966, Kartemquin is a collaborative community that empowers documentary makers who create stories that foster a more engaged and just society.
Our films have received four Academy Award® nominations and won several major prizes, including five Emmys® and two Peabody Awards. Recognized as a leading advocate for independent public media, Kartemquin has helped hundreds of artists via its filmmaker development programs.
Recent productions include 2019 Oscar® nominee Minding the Gap, and 2018 Oscar® nominees Abacus: Small Enough to Jail and Edith + Eddie, and 2018's best reviewed TV series, America to Me. Other recent productions include the Emmy-winning Life Itself, The Homestretch, The Interrupters, and The Trials of Muhammad Ali, the Dupont award-winning series Hard Earned; and Raising Bertie, All the Queen’s Horses, Keep Talking, and ‘63 Boycott.
Kartemquin is a 501(c)3 not-for-profit organization based in Chicago. www.kartemquin.com
For many, Peter Anton’s house embodies an end-of-life nightmare: the utility companies long ago shut off the heat and electricity, the floorboards are rotting, and the detritus of a chaotic life is precariously stacked to the ceiling. But for the filmmakers Dan Rybicky and Aaron Wickenden, Anton’s home is a treasure trove, a startling collection of unseen and fascinating paintings, drawings, and notebooks, not to mention Anton himself, a character worthy of his own reality TV show. Though aging, infirm, cranky, and solitary, Anton also is funny and utterly resilient. The film’s remarkable journey follows a gifted artist through startling twists and turns. By its quietly satisfying ending, Almost There has provided enough human drama for a season of soap operas, plus insights into mental illness, aging in America, and the redemptive power of art.